Coldplay talk 'Higher Power', kettles and inventing the long sleeve T-shirt look

Watch Bush chat to Chris Martin and Johnny Buckland

Coldplay chat to Absolute Radio
Author: Scott ColothanPublished 7th May 2021

To celebrate the release of their synth-tastic new single ‘Higher Power’, Coldplay’s Chris Martin and Johnny Buckland caught up with Bush on Absolute Radio’s Hometime show this evening (7th May) for a chat.

Coldplay’s first release since their 2019 double album ‘Everyday Life’, ‘Higher Power’ is an instantly infectious anthem featuring slick production from the Midas-touched Swedish studio wizard Max Martin (Britney Spears, The Weeknd, Katy Perry).

Hours after ‘Higher Power’ had its premiere aboard the International Space Station thanks to French ESA astronaut Thomas Pesquet, Chris Martin and Johnny Buckland spoke to Bush – sadly sans Richie due to a technical hitch - on Hometime.

Featuring a slew of typically cutting questions from Bush, the interview saw Chris and Johnny discuss the 80s influences of ‘Higher Power’, how Chris pioneered the short sleeve T-shirt over the long sleeve shirt look, why they’ve chosen to come back now, their yearning to perform live again, Chris having no friends, whether Americans have kettles inside their homes and much more.

You can watch the interview and also read it in full below.

Watch Coldplay’s Chris Martin and Johnny Buckland chat to Absolute Radio:

Bush: How's the lockdown been for you? It's been a long gold haul. Have you fared okay with it and everything?

Johnny Buckland: “Yeah, you know what we've been really grateful to be able to get together occasionally and work and stay creative and stay doing what we love, which is making music. So, we feel pretty lucky I think.”

Bush: Have you developed any hobbies during lockdown? People have been learning Spanish, playing a ukulele…

Chris Martin: “We've joined a dad band, which was our original band, but now we’re all dads so it just became a hobby as well as our job. It’s a joby.”

Bush: In terms of lockdown, have you kept it fashionable? Or have you found yourself in in velour tracksuit bottoms or an old rugby shirt, that kind of thing? I mean you're very, very trendy at the moment Chris I can see.

Chris: “Thank you very much. These are essentially homemade recycled clothes, but I've never been trendy in my whole life. But we draw the line… I don't wear pyjamas.”

Bush: Chris, you pioneered the short sleeve T-shirt over the long sleeve shirt - you invented that in many ways!

Chris: “Yeah, very badly at the beginning of the millennium. The government contacted me and said ‘we need a new look for young people.’ And I said ‘well you’ve come to the right person! How about a long T-shirt under a long-sleeved shirt?!’”

Bush: Coldplay are a band with such a positive, unifying message. I feel like you've almost been like the Eye of Thundera has gone into the clouds and you've come back and you're gonna make us feel good again. What's the reasoning behind coming back now?

Chris: “We've come back now because we just couldn't wait any longer and we're just feeling kind of rip and it's just time. Of course, we would love more than anything to play live for people but while that's not possible, we were able to still - like Johnny said - be creative and make films and videos and songs and so we just thought well this is our job. So, let's do it.”

Bush: How's remote writing been? Have you been recording and writing remotely like video chats and stuff like that?

Johnny: “We always have to work a bit like that because Chris lives in America, and we don't. We live in London. We've kind of built up quite a good mechanism for doing that over the years, but we were still lucky enough to find a few countries that would have us all in at the same time. So occasionally we could get together and then we really kind of grasped it, and worked like crazy, kind of like we've never done before I think.”

Chris: “Because of the way our songs tend to arrive, often the skeleton gets sent to me - the skeleton of the song - and then I send it to the others. So right now we have a system which we've had for the last eight or nine years, where everyone gets time to sort of find their own way into each song, and then we get together to record it. A bit like when you shoot a film or something. So it makes it very focused and we're all more grateful than ever to be in the same place at the same time to record.”

Coldplay

Bush: Chris, you live in America now and I have a question about American life that has troubled us on the show for a while now. Do you have kettles?

Chris: “Yeah I think so, yeah. I don't drink tea or coffee but I’m pretty sure.”

Bush: You know when you go to other people's houses - you might go around Jay Z's house or whatever – just a couple of doors down. Has he got a kettle? Because I’ve heard in America they don’t put a kettle on for hot water.

Chris: “Who told you this?”

Bush: I’ve read it on the internet.

Chris: “Well I don't want to question the veracity of the internet. Is that the right word?! Yes, but I think someone might be pulling your leg there! There’s certainly kettles in America.”

Bush: Johnny, you’re a good man because you came in played guitar at my friend Richard and Nia’s wedding in Wales, many moons ago. It was the hottest day on record in Wales, you were sweating cobs in a shirt and tie playing ‘Sweet Child O’ Mine’. This was just as Coldplay became absolutely huge. Is it hard to still kind of keep up with friends and everything when you're in a huge band like Coldplay?

Johnny: “Well, it's hard in a pandemic. But no, it’s not at all. We get to travel around - well we used to get to travel around all the time. So actually, you get to keep up with everybody when you can, as much as anybody can anywhere.”

Chris: “I think I feel lucky because I don't have any friends. And so it's been really easy for me. Just workmates, colleagues.”

Bush: Let's talk about your fantastic new single, ‘Higher Power.’ It's got an amazing kind of 80s feel about it and I don't know if you guys feel the same thing but people are kind of embracing the 80s a bit more now. I feel like it's because it's looking back to a simpler time, like channelling almost your childhood and being carefree. Do you feel that in the way that you put the song together?

Chris: “Well I think that any song has sent synthesisers in it. Those synths from the 80s are now retro so they sort of have this extra cool to them. But if you actually compared things that are a bit influenced by the 80s to things from the 80s, they sound quite different. It's just a feel. I think that in the 80s there was a lot of confident pop songs with synths in and I think that's what you're hearing a little bit. That's what this song is. But I don't think we could have technically made this in the 80s. Well, we were only six or something like that… it’s now 40 years ago, you know.

Bush: It’s got lasers and dry ice in it, which I like.

Chris: “Well everything we do has a bit of that. We’re contractually obliged to have lasers.”

Bush: Chris, Last question. You are a fellow Devonian, I’m from Brixham…

Chris: “Why didn’t you mention that before? I’d have been way more friendly!”

Bush: Years into the future do you think you might ever come back and live in a windswept West Country castle?

Chris: “Very specifically a castle? Yeah, I'm going to Devon in a couple of days. I'm going to go and buy a farm and turn it into an American shopping mall that sells only kettles.”

Bush: Fellas, it’s amazing to speak to you. I'm sorry my co-host Richie has had technical problems. It’s not a protest at anything that either of you have said during the course of this interview.

Chris: “I think he just doesn't like the band and that's totally okay and we respect that viewpoint. Richie, we send you our love and we hope everything gets better.”

The worst original names of famous bands, including Coldplay:

Stereophonics - Tragic Love Company

Members of various bands in their hometown of Cwmaman in the late eighties and early nineties, Kelly Jones, Stuart Cable and Richard Jones eventually became a trio in 1992 and started gigging as Tragic Love Company. The moniker was taken from the name of three of their favourite bands at the time; the Tragically Hip, Mother Love Bone and Bad Company. After they recorded an early demo of their seminal anthem 'A Thousand Trees', local promoter Wayne Coleman booked them to play a series of shows across South Wales on the provision they changed their name. Late-great drummer Stuart Cable got the final name from the 'Falcon Stereophonic' gramophone.

The Stone Roses - The Angry Young Teddy Bears

According to producer John Leckie, who helmed The Stone Roses' seminal self-titled 1989 debut album, the band almost called themselves The Angry Young Teddy Bears. "That's ('The Angry Young Teddy Bears') what the Roses were thinking of calling themselves when I met them," Leckie told Q Magazine in 2016. "It sort of suits them in a funny way. The thing with the Roses is that even though there is a punk heritage, they're hippies. Ian especially. It sounds corny, but there's a lot of love there, and you don't really get that with other Manchester bands." They ultimately opted for The Stone Roses and the rest, they say, is history.

Kaiser Chiefs – Runston Parva

When Nick Hodgson, Andrew White and Ricky Wilson formed the band in 1996, they took their bizarre Runston Parva moniker from the name of a small East Yorkshire hamlet called Ruston Parva. With Nick Baines and Simon Rix later in their ranks, they dumped the 'Runston' and they were signed up to the Beggars Banquet Records subsidiary label Mantra Records. However, despite four single releases, Parva were left label-less when Mantra folded in 2003 and their album '22' went unreleased. Fed up with their bad luck, they renamed themselves Kaiser Chiefs after the South African football club Kaizer Chiefs.

Muse – Rocket Baby Dolls

When frontman Matt Bellamy and drummer Dominic Howard's former band Gothic Plague (surprisingly not a death metal group) split following a series of rifts, they enlisted new bassist Chris Wolstenholme and changed their name to Rocket Baby Dolls. Soon realising it was woeful, after just one gig – their triumphant battle of bands performance at Broadmeadow Sports Centre in Teignmouth in 1994 – they switched it for Muse.

Goo Goo Dolls – The Sex Maggots

Originally a covers band, Goo Goo Dolls were known as the Sex Maggots when they were gigging around Buffalo, New York in 1986. However, they were reportedly forced to find a new moniker when a local promoter refused to put their band name on his marquee. They took their name from a toy called a Goo Goo Doll that they stumbled across in an advert in True Detective magazine. Singer Johnny Rzeznik has since quipped: "It's the best we came up with, and for some reason it stuck. If I had five more minutes, I definitely would have picked a better name."

Coldplay - Starfish

When future Coldplay frontman Chris Martin met Welsh guitarist Jonny Buckland at University College London in 1996, the musical kindred spirits formed a group called Pectoralz. With bassist Guy Berryman and drummer Will Champion joining their ranks the following year, they changed their name to Starfish. The band performed their debut show at the now closed Laurel Tree pub in Camden in January 1998 as Starfish and had a number of equally terribly titled songs including the cringey 'Ode to Deoderant'. Several weeks later they changed their name to Coldplay after a good chum called Tim Crompton kindly agreed they could nick the moniker of his own group.

Elbow - Mr Soft

Formed in Bury in 1990, Guy Garvey, Mark Potter, Richard Jupp and bassist Pete Turner called themselves Mr. Soft in homage to the character in the Trebor Softmints advert in the late eighties that was soundtracked by Cockney Rebel's song of the same name, 'Mr. Soft'. Soon shortened to just Soft, the band redubbed themselves Elbow in 1997 and took inspiration from the BBC TV drama The Singing Detective where a character called Philip Marlow calls the word "elbow" as the prettiest word in the English language.

Pearl Jam – Mookie Blaylock

Keen aficionados of the legendary New York Jets basketball player Mookie Blaylock, Eddie Vedder and co. decided to name their band in his honour. After playing a series of shows as Mookie Blaylock, they renamed themselves Pearl Jam in October '90 after signing to Epic Records. The origins of the name are somewhat cloudy, related either to Eddie Vedder's great grandmother Pearl / seeing Neil Young "jam" live / a naughty euphemism, depending on who you talk to... Mookie himself is said to be a big fan of Pearl Jam's music.

Nirvana – Pen Cap Chew

Previously a member of the delightfully named Fecal Matter – aka Brown Towel – Kurt Cobain already had a history of hilariously bad band names before starting his new outfit with Krist Novoselic. After trialling a few dodgy names including Skid Row, Ted Ed Fred and, most notably, Pen Cap Chew, they had a eureka moment and settled on Nirvana. Kurt told Rolling Stone in 1992: "I wanted a name that was kind of beautiful or nice and pretty instead of a mean, raunchy punk name like the Angry Samoans." A superb choice.

Radiohead – On A Friday

Formed while students at Abingdon School, Oxfordshire in 1985, Thom Yorke, Philip Selway, Ed O'Brien, Johnny Greenwood and Colin Greenwood called themselves On A Friday in reference to the rehearsal day in their school's music room. The name stuck for six years until they signed a six-album deal with EMI Records in 1991 and the label requested they ditched it. They opted for Radiohead after the 1986 Talking Heads song 'Radio Head'.

Red Hot Chili Peppers - Tony Flow and the Miraculously Majestic Masters of Mayhem

Founded at Fairfax High School in Los Angeles in 1983, Anthony Kiedis, Hillel Slovak, Flea and Jack Irons gave themselves the flabbergasting name Tony Flow and the Miraculously Majestic Masters of Mayhem. According to Kiedis, the name was intended to reflect the "majestic and chaotic" nature of the band. After two shows as Tony Flow… in November of '83 the group opted for the comparatively normal moniker Red Hot Chili Peppers.

Creedence Clearwater Revival - The Golliwogs

Originally named The Blue Velvets, when the band recorded some tracks for Fantasy Records in 1964, label co-owner Max Reiss decided to change it to The Golliwogs after the minstrel doll of the same name. Late rhythm guitarist Tom Fogarty said: "I think, at least to Max anyway, 'Golliwogs' sounded sort of British. We always hated the name but Max owned the label and we were new and wanted very much to make records, so we went along with things." Three years later the name was thankfully dropped.

Nickelback – Village Idiots

When the young Chad Kroeger, Ryan Peake, Mike Kroeger and former drummer Brandon Kroeger formed a covers band in the early 1990s largely pilfering from Metallica, Led Zeppelin and Megadeth's back catalogue, they dubbed themselves the Village Idiots. Realising it would make them a laughingstock on the bigger stage, they later changed it to Nickelback in reference to the nickel in change Mike often gave his customers while working at Starbucks – "Here's your nickel back."

Black Sabbath – The Polka Tulk Blues Band

It's almost impossible to think of a more inappropriate band name as The Polka Tulk Blues Band to fit with Sabbath's crushing heavy metal sounds. Fortunately, they saw sense and abandoned the name in the late 60s with a scathing Iommi telling Ozzy: "Every time I hear it, all I can picture is you, with your trousers around your ankles, taking a f***ing dump. It's crap." Black Sabbath was inspired by three things - the Boris Karloff film of the same name, a dark vision bassist and lyricist Geezer Butler once had, and the work of occult novelist Dennis Wheatley.

Snow Patrol – Shrug

Four years before the formation of Snow Patrol, singer Gary Lightbody and bassist Mark McClelland along with drummer Michael Morrison formed the rather indifferent monikered band Shrug. They self-released the brilliantly titled demo 'The Yogurt vs Yogurt Debate' in 1994 and changed their name to Polarbear in 1996 after discovering there was already an American band called Shrug. Following an EP called 'Starfighter Pilot' in 1997 and the exit of Morrison, the band morphed into Snow Patrol the following year.

KISS – Wicked Lester

Binning their Rainbow moniker when they discovered there was already another band with the same name, in 1971 the group renamed themselves Wicked Lester. During their brief existence the folk/pop/rock group played in public just twice before Gene Simmons and Paul Stanley decided to delve into rock and roll and recruit new members. With Ace Frehley on board by Christmas '72 they changed their name to KISS and played their first live show a month later.

Van Halen – Rat Salad

Van Halen originally called themselves Genesis until they found out a certain British progressive rock band shared then name. The band then redubbed themselves Mammoth… only to discover that was being used too! Still predominately a covers band, the Van Halen brothers toyed with Rat Salad (after the Black Sabbath song) but Dave Lee Roth countered with their surname. Originally worried about it sounding self-absorbed, the whole band eventually agreed to adopt it.

Creed – Naked Toddler

The astonishingly atrocious and inappropriate band name was suggested by guitarist Mark Tremonti in the mid-nineties after he read a story in the press about an abducted child. Unable to settle on a suitable band name at the time, they often performed under a name taken from the headlines in that day's newspaper. Naively adopting Naked Toddler for one show at a club called Yanni's, Scott Stapp revealed in his 2012 autobiography that it was rightfully met with indignation. "The name didn't go over well. Girls hated it and said it made them think of paedophilia. They had a point." We couldn't have put it better ourselves…

U2 - Feedback/The Hype

When drummer Larry Mullen posted a notice looking for band members at Mount Temple Comprehensive School, the resulting group were called The Larry Mullen Band "for about ten minutes" before Bono swept aside the idea. They then opted for Feedback, after the screeching sound that came out of their amps, only to switch it for the decidedly pop band-esque name The Hype in 1977. Eventually they settled on U2 for its "ambiguity and open-ended interpretations."

Blur – Seymour

Formed from the ashes of Damon Albarn, Graham Coxon and Alex James' previous group Circus, the band called themselves Seymour in December 1988 after J. D. Salinger's 1963 novella 'Seymour: An Introduction'. When they were signed to Food Records in 1990, the imprint wisely rejected the terrible name and the band decided on Blur after drawing up a list of alternatives.

Simon and Garfunkel – Tom & Jerry

When they were just 15 years old in 1956, the fresh-faced Paul Simon and Arthur Garfunkel assumed the name Tom & Jerry seemingly in reference to the hit Hanna and Barbera cartoon of the same name. Simon even dubbed himself Tom Graph and Garfunkel took on the name Jerry Landis. The pair scored a minor hit called 'Hello Schoolgirl' before going their separate ways. In 1964 they reconvened as a duo and decided to use their real names to stay "true" to themselves.

Linkin Park – Xero

Formed by high school chums Mike Shinoda, Rob Bourdon and Brad Delson in 1996, with Joe Hahn and singer Mark Wakefield recruited later that year, Linkin Park were somewhat regrettably originally known as Xero - a name that sounds more like a brand of photocopier than a band. After recording a self-titled EP, Wakefield quit the group when tensions grew when they failed to secure a record deal. Xero recruited Arizona vocalist Chester Bennington in 1999 and they changed their name to Hybrid Theory before eventually settling on Linkin Park in homage to Santa Monica's Lincoln Park.

Pink Floyd – Screaming Abdabs

Pink Floyd were formed from the ashes of a band that had a series of bizarre transitory names. First called Sigma 6 (there were six members including Roger Waters, Richard Wright and Nick Mason), in 1964 they adopted a series of short-lived but gloriously ridiculous names including Leonard's Lodgers, the Meggadeaths and the Screaming Abdabs. A year later Syd Barratt coined Pink Floyd after finding inspiration from the Piedmont blues musicians Pink Anderson and Floyd Council.

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