Deep Purple premiere video for their cover of Fleetwood Mac's 'Oh Well'
The band play five masked criminals on a violent spree
Deep Purple have premiered the music video for their cover of Fleetwood Mac’s classic Peter Green penned song ‘Oh Well.’
Lifted from Deep Purple’s upcoming covers record ‘Turning To Crime’, in keeping with the album’s title, the ‘Oh Well’ video sees Ian Paice, Steven Morse, Ian Gillan, Don Airey and Roger Glover play a motley crew of masked delinquents as they embark on a crime spree.
The Dan Gibling directed video opens with the quintet planning a heist in an abandoned warehouse before jumping in a black van and violently attacking a group of musicians.
The five criminals then take a briefcase from a man in a car boot, chase a Bob Dylan look alike down a road in a scene that nods directly to Radiohead’s Karma Police video, before returning to the warehouse where Ian Gillan reveals his identity and sits in a leather chair Godfather-style.
The ‘Oh Well’ video culminates with the five criminals posing for mugshots as the caption reveals their prison sentences, including a hefty 30 years for criminal mastermind Gillan. Ouch.
Watch Deep Purple’s ‘Oh Well’ video:
Deep Purple representatives said: ‘Label and management would like to state that nobody from the band or crew, nor members of the media, were hurt during the shooting of the video in Germany in early October.’
“Everyone knows ‘Oh Well’ is a great song,” says Roger Glover. “Steve did the demo for that one. You never quite know where it‘s gonna go with Steve because he is very inventive. Right up until the point, with a couple of verses in, it was pretty much the same as the original. And then, all of a sudden, it took off like a rocket… in some other space.”
The follow-up to 2020’s ‘Whoosh!’, Deep Purple’s ‘Turning To Crime’ is released on Friday 26th November 2021 via earMUSIC.
Other songs covered on the record include Cream’s ‘White Room’, B.B King’s ‘Let The Good Times Roll’, The Yardbirds’ ‘Shapes of Things’, Bob Dylan’s ‘Watching The River Flow’ and Mitch Ryder’s ‘Jenny Take A Ride!’
The closing song called ‘Caught In The Act’ is a medley of tracks including Jake Holmes' ‘Dazed and Confused’ (popularised by Led Zeppelin), The Spencer Davis Group’s ‘Gimme Some Lovin' and the Allman Brothers Band’s ‘Hot ‘Lanta.’
‘Turning To Crime’ is once again produced by Bob Ezrin, who worked with Deep Purple on the previous albums forming the “time trilogy" - 'NOW What?' (2013), 'inFinite' (2017) and 'Whoosh!' (2020).
Deep Purple’s ‘Turning To Crime’ track-listing:
1) 7 And 7 Is
2) Rockin' Pneumonia And The Boogie Woogie Flu
3) Oh Well
4) Jenny Take A Ride!
5) Watching The River Flow
6) Let The Good Times Roll
7) Dixie Chicken
8) Shapes Of Things
9) The Battle Of New Orleans
10) Lucifer
11) White Room
12) Caught In The Act (Medley)
42 facts about Deep Purple’s album covers:
Deep Purple – ‘Shades of Deep Purple’ (1968)
1) Released in September 1968 via Parlophone Records, the 'Shades of Deep Purple' album cover depicts the Mark I line-up of Deep Purple – Rod Evans (vocals), Ritchie Blackmore (guitars), Jon Lord (organ), Nick Simper (bass) and Ian Paice (drums) – wearing sharp suits they had purchased from esteemed fashion designer Michael Fish... not to be confused with the weather forecaster of the same name.
Deep Purple – ‘Shades of Deep Purple’ (1968)
2) Released two months earlier in the US on the back of the huge chart-denting success of 'Hush', the Stateside version of 'Shades of Deep Purple' came with a slightly different cover that's a very literal translation of the album title.
Deep Purple - ‘The Book of Taliesyn’ (1968)
3) Deep Purple's second studio album 'The Book of Taliesyn' saw the band embrace a psychedelic rock sound and the artwork reflects their US imprint Tetragrammaton's wish to aim it at a "hippie audience." The fantasy cover (complete with Arthurian Bards, minstrels, troubadours and a castle) was created in pen, ink and colour by the British illustrator and author John Vernon Lord, the namesake of late-great Deep Purple organist Jon Lord.
Deep Purple - ‘The Book of Taliesyn’ (1968)
4) In a 2013 blog post, John Vernon Lord said he was paid 30 guineas (just under £500 today) for creating the artwork, however 25% went to the agent. Vernon Lord said of his brief: "The agent gave me the title saying that the art director wanted a 'fantasy Arthurian touch' and to include hand lettering for the title and the musicians' names. I mainly drew from The Book of Taliesin, which is a collection of poems, said to be written by the sixth century Welsh bard Taliesin.
Deep Purple – ‘Deep Purple’ (1969)
5) The dark and macabre cover artwork to 1969's self-titled 'Deep Purple' is adorned with the right-hand painting from Hieronymus Bosch's 15th Century triptych The Garden of Earthly Delights, which depicts hell.
Deep Purple – ‘Deep Purple’ (1969)
6) Deep Purple weren't the first band to use The Garden of Earthly Delights on their album sleeve – Floridian psychedelic folk act Pearls Before Swine had a detail from it on their 1967 debut album 'One Nation Underground'.
Deep Purple – ‘Deep Purple in Rock’ (1970)
7) The 'Deep Purple in Rock' album cover was the brainchild of the band's manager Tony Edwards, who suggested placing the US Presidents' heads on Mount Rushmore with the heads of the Mark II line-up; Ian Gillan, Ritchie Blackmore, Roger Glover, Jon Lord and Ian Paice. Created by London design agency Nesbit, Phipps & Froome, the resulting cover is one of the most iconic sleeves in rock history.
Deep Purple – ‘Deep Purple in Rock’ (1970)
8) For some unbeknownst reason, the German edition of 'Deep Purple in Rock' featured a white sky. Pictured is Mount Rushmore National Memorial in the Black Hills in Keystone, South Dakota. Created by Gutzon Borglum, the sculpture features the 60-foot (18 m) heads of Presidents George Washington (1732–1799), Thomas Jefferson (1743–1826), Theodore Roosevelt (1858–1919), and Abraham Lincoln (1809–1865).
Deep Purple – ‘Fireball’ (1971)
9) An album cover that is definitely of the era, 'Fireball' was adorned with a gloriously naff (and slightly sperm-esque) image of Deep Purple shooting through space in a fireball. The photography was by Tony Burrett.
Deep Purple – ‘Fireball’ (1971)
10) For the 25th anniversary re-release of 'Fireball' in 1995 an alternative, more anodyne album cover was issued.
Deep Purple - ‘Machine Head’ (1972)
11) Decades before Photoshop, Deep Purple's seminal 'Machine Head' album artwork was created by punching the band's name into a polished metal sheet. Ritchie, Roger, Jon and the two Ians then stood facing the metal sheet and a photograph was taken of the reflection.
Deep Purple - ‘Machine Head’ (1972)
12) Alongside the five members of Deep Purple, the distorted reflection of photographer Shepard Sherbell can also be made out on the sleeve.
Deep Purple – ‘Who Do We Think We Are’ (1973)
13) Deep Purple's seventh album depicted the band in fairy liquid style bubbles against an ocean backdrop. It was created by Roger Glover and manager John Coletta, who incidentally kicked off his career by taking the Teacher's Diploma in Art at Brighton College of Art, where he specialised in typography, graphics and illustration.
Deep Purple – ‘Who Do We Think We Are’ (1973)
14) The inner gatefold sleeve of the album cover features various press clippings about Deep Purple, including an edition of Melody Maker from July 1972, where drummer Ian Paice told them: "Deep Purple get piles of passionate letters either violently against or pro the group. The angry ones generally start off 'Who do Deep Purple think they are...'"
Deep Purple – ‘Burn’ (1974)
15) Deep Purple joined forces with London design agency Nesbit, Phipps & Froome (who helmed 'Deep Purple in Rock' four years earlier) for the cover to 'Burn', which depicts Ritchie Blackmore, Ian Paice, Jon Lord, new vocalist David Coverdale and new bassist Glenn Hughes as human candles.
Deep Purple – ‘Burn’ (1974)
16) The back cover of 'Burn' features the Deep Purple's newly melted wax heads in front of a photograph taken by eminent photographer Fin Costello.
Deep Purple – ‘Stormbringer’ (1974)
17) The cover to Deep Purple's second album of 1974, 'Stormbringer', is a famous photograph of a tornado near Jasper, Minnesota, taken by schoolgirl Lucille Handberg on 8th July 1927. At the time, now deceased publication The Illustrated London News hailed it as 'the finest photograph of a tornado ever taken.' The flying horse was, of course, added for the Deep Purple sleeve!
Deep Purple – ‘Stormbringer’ (1974)
18) The Jasper Tornado photograph was used on Miles Davis' jazz fusion album 'Bitches Brew' four years before Deep Purple, while Siouxsie and the Banshees used it on their seventh album 'Tinderbox' in 1986.
Deep Purple – ‘Come Taste The Band’ (1975)
19) Like many Deep Purple album covers, 'Come Taste The Band' featured a very literal pictorial translation of the title – the band's faces emblazoned onto wine glass. The back of the gatefold features the empty glass complete with lipstick marks. The cover photography was by Peter Williams.
Deep Purple – ‘Come Taste The Band’ (1975)
20) The inside of the gatefold features photos of the Mark IV line-up of Deep Purple – David Coverdale, Tommy Bolin, Jon Lord, Glenn Hughes and Ian Paice. 'Come Taste The Band' is the only studio album to feature neither Ritchie Blackmore nor Ian Gillan.
Deep Purple ‘Perfect Strangers’ (1984)
21) Eight years after their split, Deep Purple returned with 'Perfect Strangers' in 1984 with the reformed Mark II line-up. The album artwork showcased the 3D 'DP' logo seemingly floating in space.
Deep Purple ‘Perfect Strangers’ (1984)
22) Truly iconic, the Deep Purple DP logo is a mainstay of merchandise to this day.
Deep Purple – ‘The House of Blue Light’ (1987)
23) The highly eerie artwork for Deep Purple's 'The House of Blue Light' was created under the art direction of Andrew Ellis and British photographic husband and wife duo Davies and Starr.
Deep Purple – ‘The House of Blue Light’ (1987)
24) The album once again features the DP logo, albeit in a two-dimensional form.
Deep Purple – ‘Slaves and Masters’ (1990)
25) The mystical sleeve to Deep Purple's 'Slaves and Masters' features a pair of hands hovering above a crystal ball with the album title emblazoned on the base. The image was created by Thierry Thompson with art direction from Roger Glover.
Deep Purple – ‘Slaves and Masters’ (1990)
26) Among the items inside the crystal ball are an egg timer, a guitar, the DP logo, an eye, a piano, a spotlight, some planets, various vinyl records, chess pawns, and, somewhat bizarrely, a face morphed into a truck…
Deep Purple – ‘The Battle Rages On…’ (1993)
27) The memorable artwork for 'The Battle Rages On…' depicts two dragons engaged in a battle while perched on the Deep Purple logo. Ozzy Osbourne ('The Ultimate Sin'), Dio ('Killing The Dragon') and Judas Priest ('Painkiller') are just a handful of the many artists who have had dragons on their record sleeves.
Deep Purple – ‘The Battle Rages On…’ (1993)
28) 'The Battle Rages On…' artwork was created by renowned American artist and sculptor James Grashow who has also created album art for Jethro Tull's 1969 album 'Stand Up' and the 1971 Yardbirds album 'Live Yardbirds: Featuring Jimmy Page.'
Deep Purple – ‘Purpendicular’ (1996)
29) Perhaps reflective of their more experimental musical approach, the artwork to Deep Purple's 1996 album 'Purpendicular' is decidedly abstract.
Deep Purple – ‘Purpendicular’ (1996)
30) In keeping with the album title, the abstract images on the cover are perpendicular to each other. In geometry, being perpendicular is the relationship between two lines which meet at a right angle. 'Purpendicular' was the first album to feature Steve Morse, pictured.
Deep Purple – ‘Abandon’ (1998)
31) Markedly more aesthetically pleasing than the 'Purpendicular' cover, 'Abandon' features a man diving through the air against a backdrop of skyscrapers.
Deep Purple – ‘Abandon’ (1998)
32) Deep Purple's 'Abandon' artwork was created by Greek artist Ioannis, who has created over a hundred album covers for rock acts including Extreme, Dream Theater, Fish, Yngwie Malmsteen, Lynyrd Skynyrd, Dokken, Styx, King Crimson, Uriah Heep and Blue Öyster Cult (pictures is their 2001 album 'Curse of the Hidden Mirror') to name but a few.
Deep Purple – ‘Bananas’ (2003)
33) Yet another literal pictorial translation of an album title, Deep Purple's 'Bananas' sleeve features two banana pickers and their fast haul of yellow fruit. The photograph was taken by the band's manager Bruce Payne.
Deep Purple – ‘Bananas’ (2003)
Deep Purple – ‘Rapture of the Deep’ (2005
35) The drawing that features on the cover of Deep Purple's 'Rapture of the Deep' is by Tom Swick and was spotted by Roger Glover when he was browsing through a magazine.
Deep Purple – ‘Rapture of the Deep’ (2005
36) Deep Purple called on artist Ioannis (for a third consecutive album) to develop the idea further for the sleeve, however he admitted in 2005: "This project was one of the most difficult I have ever worked on as there was a lot of confusion and indecisiveness on the project from the art standpoint." This seemingly stemmed from differences in opinion between Roger Glover and Ian Paice (pictured).
Deep Purple – ‘Now What?!’ (2013)
37) The highly simplistic cover for Deep Purple's 2013 album 'Now What?!' was created by German artist and illustrator Antje Warnecke
Deep Purple – ‘Now What?!’ (2013)
38) Antje Warnecke also created the artwork for 2015 Deep Purple live albums 'From the Setting Sun... (In Wacken)' and '...To the Rising Sun (In Tokyo)'.
Deep Purple – ‘Infinite’ (2017)
39) The artwork for Deep Purple's 2017 album 'Infinite' depicts a ship creating the band's DP logo in sea ice. It was created by German graphic designer Büro Dirk Rudolph who has previously worked with Rammstein on their 2011 compilation album 'Made in Germany 1995–2011' and 2017 live album and concert film 'Rammstein: Paris'.
Deep Purple – ‘Infinite’ (2017)
40) Deep Purple were accused by some keyboard warriors on the internet of copying the artwork to Devin Townsend Project's 2014 album 'Sky Blue' with 'Infinite.' (We can't see it ourselves!!) However, Devin Townsend himself dismissed such claims, writing on Twitter: "Re - Deep Purple logo: not a big deal to me. Not sure it should be ... plus it's Steve Morse and he can do whatever he wants :)"
Deep Purple – ‘Whoosh!’ (2020)
41) In our humble opinion, the artwork to Deep Purple's 'Whoosh!' is one of the finest of their entire career. The visually striking image depicts an anonymous astronaut on an alien landscape as he or she disintegrates like dust blowing away in the wind. It was created by Italian designers Jekyll & Hyde alongside Jenny Seiler.
Deep Purple – ‘Whoosh!’ (2020)
42) Deep Purple also (partially) revived their classic logo from their debut album 'Shades of Deep Purple' album some 52 years earlier for the sleeve to 'Whoosh!'
Deep Purple - 'Turning To Crime'
43) In November 2021, Deep Purple surprised everyone by releasing covers album 'Turning to Crime'. The artwork features the band members in a series of mugshot style photos, playing on the fact that the album was recorded during Covid lockdowns, "five unemployed musicians under house arrest". The album title and artwork also references the fact that, as Deep Purple's first covers album, the band are "stealing" other artists' songs.