12 of the greatest Ozzy Osbourne solo songs

We celebrate the metal legend's 72nd birthday

Ozzy Osbourne
Author: Scott ColothanPublished 3rd Dec 2020
Last updated 6th Aug 2021

With Ozzy Osbourne turning the tender age of 72 today (3rd December), it’s timely that we consider what are some of the best songs from his illustrious solo career.

After much debate, late nights and little sleep, these are the tracks that have made our countdown:

Mr Crowley (1980):

Ozzy’s ode to English occultist Aleister Crowley picks up where he left off with Black Sabbath but this is hardly a number that praises the self-styled Great Beast’s life and actions. Bringing the whole thing to life are two stunning solos from the magic fingers of Randy Rhodes, which make you realise how much he’s still missed.

Crazy Train (1980):

For all of his image as the Prince of Darkness, there’s always been a call for unity in Ozzy Osbourne’s music. Even as far back as Black Sabbath, there was an us-vs-them mentality that decried the divide and conquer policies of our overlords. ‘Crazy Train’ is no different, and propelled by one of Randy Rhodes’ best riffs, this really is in the top tier of Ozzy’s finest moments

No More Tears (1991):

The title track from Ozzy Osbourne’s sixth studio album is an enduring favourite and it’s not difficult to see why. Bob Daisley’s bass intro marks the song down as something not only different from what fans might have expected but also as a special moment in Ozzy’s canon. Zakk Wylde sounds absolutely massive throughout, to create a real pinnacle.

I Don’t Wanna Stop (2007):

As late period Ozzy Osbourne goes, ‘I Don’t Wanna Stop’ is up there with the best of them. Zakk Wylde is on incredible riffing form and Faith No More’s Mike Bordin hammers those drums within an inch of their life. It’d be great to see this track revived for one last time.

Watch: Zakk Wylde's exclusive Planet Rock session in Jimi Hendrix's flat

Suicide Solution (1980):

One of the most controversial and misunderstood songs in Ozzy Osbourne’s back catalogue, this is cautionary tale of what happens when alcohol becomes a controlling factor in one’s life. Ozzy once claimed that it was written with Bon Scott in mind though the truth is probably closer to home.

Dreamer (2001):

It’s not too much of stretch to view ‘Dreamer’, the third track on Ozzy’s eighth studio album, ‘Down To Earth’, as heavy metal’s answer to John Lennon’s ‘Imagine’. The ballad is also noteworthy for the low-end contribution of Robert Trujillo, made before his departure for Metallica.

Shot in the Dark (1986):

Featuring the last appearance of guitarist Jake E. Lee, this closing track from 1986’s ‘The Ultimate Sin’ had a disputed inception with bassist Phil Soussan, who only lasted for this album, plus Steve and Chris Overland of FM all allegedly involved (to various disputed degrees). It remains a firm favourite and made regular appearances during Ozzy’s recent US tour. The chances are it’ll do the same here.

Feature: The greatest Black Sabbath albums, ranked

Let Me Hear You Scream (2010):

Taken from Ozzy’s last studio album, 2010’s ‘Scream’, this crunching rocker contains all the best bits of the Prince Of Darkness’ lengthy career and compresses them into a late period diamond. A total and utter gem, this shines as brightly and delivers hard.

Bark At The Moon (1983):

The first single to be lifted from Ozzy Osbourne’s third album, ‘Bark At The Moon’ is so well regarded that it opened his set at the Download Festival as well as his tour throughout 2018.

I Don’t Know (1980):

The song that ushered in Ozzy Osbourne’s solo career, it’s probably the first one that many of his long-term fans heard when he finally came back from his ignominious departure from Black Sabbath. A statement of intent, it also introduced us to the incredible yet tragically short-lived talent that was Randy Rhodes. Slap this on and fall in love with it all over again.

Under The Graveyard (2019):

The first taster of his 12th studio album ‘Ordinary Man’, ‘Under The Graveyard’ saw Ozzy face his own mortality head on. Beginning as a rock ballad, Ozzy sings intensely personal lines that nod to his serious fall and subsequent recovery period: “Today I woke up and I hate myself / Death doesn't answer when I cry for help / No high could save me from the depths of Hell / I'll drown my mind until I'm someone else.” A poignant yet powerful gem from Ozzy.

Over The Mountain (1981):

An irrefutable Ozzy Osbourne classic, 'Over The Mountain' oozes brilliance from the moment the late-great Lee Kerslake's drums kick in. The perfect opener to Ozzy's second studio album 'Diary of a Madman' and an Ozzy, Randy Rhoads, Bob Daisley and Lee Kerslake songwriting tour-de-force.

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Alex Lifeson’s real name: Alexandar Živojinović

'Lifeson' is a semi-literal English translation of the Yugoslavian surname Živojinović, which means 'son of life'

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John 5’s real name: John William Lowery


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Eric Carr's real name: Paul Charles Caravello


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Joey Tempest's real name: Rolf Magnus Joakim Larsson


Michael Monroe’s real name: Matti Antero Kristian Fagerholm


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Jonathan Cain’s real name: Jonathan Leonard Friga


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Bon Scott's real name: Ronald Belford Scott


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